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机能的撞击 国父纪念馆东馆展场设计

来源:中装新网 时间:2013-12-27 09:40:40 [报告错误]  [收藏]  [打印]

核心提示:历史展览通常都被相当严肃的看待,导致参观者对于历史展览有着既定的看法,同时参观族群又相当特定。因此,馆方(业主)有效宣传展览,对外徵图就是希望能够找出另一种不同的思维来重新切入历史展场,而本案在业主徵图中脱颖而出的关键,在于我们对于历史展示的再诠释与再定义。

  本案基本资料

  案名: 国父纪念馆东馆展场

  座落地点: 台湾台北

  空间坪数: 120坪

  主要建材: 钢构、木作、FRP玻璃纤维、弹性布、方块造型地毯、强化玻璃、压克力、冷烤漆

  设计单位:竹工凡木设计研究室(CHU-studio)

  施工单位:暐震工程公司

  摄影作者:竹工凡木设计研究室(CHU-studio)

  主案设计师:邵唯晏

  协同设计师:陈昱廷

  设计参与:林予帏

  MOBILE: +886-931030537

  TEL:+886-228363712

  MAIL: chusd.co@gmail.com

  WEB: www.chu-s.com

  颠覆固有思维

  历史展览通常都被相当严肃的看待,导致参观者对于历史展览有着既定的看法,同时参观族群又相当特定。因此,馆方(业主)有效宣传展览,对外徵图就是希望能够找出另一种「不同」的思维来重新切入历史展场,而本案在业主徵图中脱颖而出的关键,在于我们对于历史展示的再诠释与再定义。

  Overturn the traditional image

  Historical exhibitions are often considered solemn since people usually have a stereotype of it. In order to promote the exhibition and to attract more audience, the chief of Dr. Sun Yat-Sen’s Memorial Hall held a design competition to seek different ways of thinking about it. We stood out from the competitors finally as we brought up a completely new idea to re-definite the theme.

  空间亦是展品的一部分

  一般的历史展场规划因强调展示与收纳的机能,常忽略善用空间的氛围来强化展题,导致历史展览经常乏人问津。因此,我们将展场空间设订为不仅仅是个硬体,或只是个收纳展品的空间,我们更关注内在,希望透过展场空间氛围的刻画,让展览主题更深切,进而与参观者产生共鸣,激发出更多的想像空间。

  Space is also part of the display

  Generally speaking, previous historical exhibitions often put too much emphasis on function of display and collection, but overlook the importance of enhancing the theme with the space. To deepen the exhibition theme as well as the impression of the audience, we paid close attention to the internal meaning of it rather than just taking it as a display of collections.

  机能的撞击

  为了强化展览主题,我们截取了国旗飞扬的意象,将连续的动态凝固转换成静态的空间画面。透过蓝(自由)、白(平等)、红(博爱)叁种颜色的交织转换将空间划分为六个展区,同时移除了既有的遮敝物,透过导引将建国大网完整的呈现,变成整个展区的视觉端点。动态凝固的国旗意象,其空间的流动感,给予参观者彷彿进入一个艺术展示特区的氛围。就在严肃历史议题书写与当代艺术美学呈现两种program的撞击下,也确实引起参观者的注意及共鸣。

  Design meets function

  We took advantage of the image of flag of Taiwan to enhance the impression, turning a series of dynamic movements of waving flag into static images. By interlacing three colors, which are blue (Freedom), white (Equality) and red (Greater love), the space was divided into six zones. The obstructions in the site were all moved in order to turn people’s gaze to the key display “ Constructive Scheme for Our Country”. The static images of waving flag and the atmosphere flowing in the space make the solemn exhibition a contemporary art gallery, which successfully raises the interest of the audience.

  电脑辅助设计的介入

  本案因为政府标案,在最低标的既有政策下,在有限的预算及工期下,要如期完成形体复杂的展示厅,相当困难。为克服以上的先天劣势,及顾及工程品质,设计团队在设计前端采取大量的电脑辅助设计来介入整个流程。从设计的发想到施工图面的绘制,有效透过参数化的设计流程,以不同于以往的施工图呈现方式,终于将本案执行完成。

  CAD/CAM system

  The case is a government’s bid. In accordance with the government “minimum price” principle, it was very difficult to finish the engineering work of the exhibition hall in time. Under limited budget and time, we applied CAD/CAM system in the process of design and construction. Differed from the past, parametric design process was fully utilized from scratch to construction drawing in this project and successfully completed it within the time frame.

国父纪念馆东馆展场设计

国父纪念馆东馆展场设计

国父纪念馆东馆展场设计

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